AI Image Editor
Repair wardrobe, setting and light on frames that nearly registered. One change per job, 21 credits, originals preserved in the record.
Fourth signal: the adjustment dial
Every record has frames that nearly registered. The pose holds, the light is true, but the outfit belongs to another set, or the room belongs to another scene entirely. The editor exists for those frames. State the change in plain words — wardrobe, setting, light, a single detail — and the frame is re-rendered with that change made and everything else left standing on the trace. Editing costs 21 credits a job, shown before you confirm, and the original is never overwritten: it stays in your record beside its repaired version, like a reading and its correction, so the history of every frame can be followed dial by dial from first render to final version.
The tracking rhythm
Choose frames worth the adjustment
Strong bones, wrong details. A frame whose composition itself has failed costs more to repair than to remake, and the editor is not where pride should be spent.
One change per job
A single instruction keeps the rest of the frame still and the cost predictable. Three changes at once is not an edit; it is a regeneration wearing an edit’s cost.
Compare, and keep the better entry
Original and repair rest side by side in the record. Ship the winner. The other costs nothing further and asks nothing of you.
Adjustments most often logged
One frame, three outfits
The same pose dressed for three different packs — the quickest multiplication a catalogue knows.
The scene moved, the character not
Charcoal boudoir to wine cellar to bare studio wall, without moving the woman or the light that holds her.
The hour changed
Dusk to lamplight, flat to dramatic — a frame re-graded so it sits quietly among the set it is joining.
Instructions that hold
“Change the black bodysuit to wine-red velvet and lace. Keep the pose, the hair and the low gold light exactly as they are.”
The change is named and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work at every signal.
“Move the scene to a private wine cellar with arched stone walls and warm lantern light. The subject and her pose do not change.”
One environment, moved once. A new room, a new outfit and a new pose in a single job is a new photograph, and should be briefed as one.
Edit, or generate again?
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones of the frame and costs less |
| The composition itself has missed | Remake the frame at the generator with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
How much does an edit cost?
21 credits per job, shown before you confirm. Repairing a keeper is normally cheaper than remaking and re-judging a whole set at the source signal.
Does an edit replace my original?
No. The repair is a new entry in the record. The original rests untouched, and both remain yours.
How many changes may one job carry?
One. Stacked changes unsettle exactly the parts you asked to keep, and the frame drifts off record.
May I edit uploaded photographs?
Yes — your own photographs, under the same consent rules as every upload on this panel.
The edit missed. What now?
Narrow the instruction and name what must stay identical. Vagueness is the usual cause of a drifting repair.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator